after more than 15 years back on vinyl, perhaps unit moebius darkest stuff ever made! the kuiken album project originally was released on the experimental hardcore label crossfade entertainment in 1994. now back on the motherlabel bunker who is doing a small re-run of this killer releass (which comes in 2 parts)

when leeds duo galaxians formed in 2012, their mission was clear, to bring back beat, and at a breakneck pace, including releases on rotating souls (atlanta) and leedss own stargaze, plus stages shared with the likes of tom tom club, golden teacher, zombie zombie, and ultramagnetic mcs, galaxians are here to bring back visceral funk. with their latest release on brooklyns dither down records, galaxians have found the perfect home for a duo inspired by nyc boogie labels like west end and sam. giving them the perfect opportunity to showcase the sounds that have made them such a hit with festival crowds. it is their inherent love of nycs hard attack, that makes the bounce of ducket$z through the slippery glide of skydive all the more visceral and exciting. say hello to your new favorite gang of two, galaxians.

in times where a rave feels pretty much like a funfair, the chairoplane is still the nicest ride. thinking of kettenkarussell some might remember one of those gathered moments in a low summer night under the clear sky when things made sense for a while. but those memories fade away quite fast or seem really strange a few years later on youtube. so what is it that is left behind? after 10 years of collaboration the couple decided to do an album that might challenge the comfort zone of those who try to keep up that easy living. its a record full of holes. and still this is what keeps them together. in pain we trust... and yes i believe you and me will make love forever...

chicago, july 12, 1979 was the day rock sucked. real bad. it was also the day that disco went underground for real. here is the first offering of rock sucks! a label where forgotten disco and boogie will finally get its revenge. these two gems were made in 1983 and theyve been ignored for far too long

back by demand! valuable remastered reissue of this rare 5 tracks mini-album by the two talented young producers: lazare hoche & malin genie. groundbreaking house tracks, highly recommended.

knee deep in sound s debut release comes from daley himself. don t touch the alarm embodies the vibe dancefloors across the globe yearn for that he never fails to provide, epitomising the sound that has made hot since 82 the hot property he is today. the remix comes from pioneering producers booka shade who work their magic on the track. the first release is a clear example that, in an industry where labels are not hard to come by, daley continues to claim his place at the forefront of electronic music. the label will give us an insight into daley s production process as the knee deep in sound imprint sees daley take full creative control.

mike parker is next to release on deep sound channel - a sub label of the dutch shipwrec imprint - and as ever the two tracks he offers up are made of twisted analogue frequencies that work their way into your brain.

following their ongoing relationship with soma records, ukrainian duo woo york are set to release their new record that proves to be somewhat representative of recent dramatic events in their country. entitled i am against, both the main track and the ep itself are referring to the developments that lead to revolutionary struggle of the ukrainian people. fighting inequality, saying what you have to say and doing what you have to do seem to be the core ideas of the record. you might have figured that out yourself by spotting a rebel protester from january’s clash with riot police depicted on the record sleeve. the ep also features a special remix from uk techno producer, Ø phase. music-wise the ep presents the same idea: the epic energy of the title track highlights the drive that was fuelling peaceful individuals to go out onto the streets and fight for their rights. an excellent remix from Ø phase follows a similar path, although in its own original way that has made the uk-based artist’s name associated with the finest techno to date. closing the ep ‘in the end’ is a more abstract side of woo york’s music works that reminds us once again: every single act of violence is bound to come to an end at some point.

vinyl only! first 200 with a4 (30*20cm) artprint from the streets of detroit made by the artist himself. vinyl runs from the inner side to the outer side like the old nsc cuts from back in the days. pure detroit house and techno.

limited to 300 hand numbered copies on white vinyl. ct-his second release is made of a brilliant 4 tracks ep enriched with detroit boogie, future beats and bouncy house flavours.

with their cinematic music and john carpenters cover albums, we wondered when a real soundtrack by zombie zombie is going to be out? well, here it is now , the two zombies cosmic neman and etienne jaumet finally sign their first film music for the first feature film from director , narimane mari, loubia hamra (bloody beans), to be released in spring 2014. and we found them there, where we do not expect, because it s not a horror movie, but a free movie, a journey of a group of children from a district of algiers during the war of algeria, who becomes aware of life and death.director narimane mari talks about her experience with zombie zombie and creation of the soundtrack for her movie:-i really wanted the music to be as blood flow of images and that is what it is. sharp, dull, full of strange noises, inner or surging, harmonious or disturbed by noise disorder, which allows to read beyond the visual narrative. we are in the bowels of childhood and it shakes us up when we let our-selves be takeover by the living: the profusion. i didn’t want to make a movie where psychology and reason rule and dominate until our senses are weakened, but a movie that we experience with the body and it is them who made it possible, this total immersion.

mysterious, dark and droning techno monster made by > the planets <. marvellous and reduced 4 tracker with a special edit by paul mac. handstamped vinyl only release.

the much loved and mysterious r-zone series rolls on here with another new ep, this time made up of three more moody and atmospheric cuts

drug machine inc. 004 comes along with the amazing masterpiece -devils books-, made by theukraine artist positive merge (9volt, gynoid). incl. remixes by ghettomania star dj duncan andsolid rushs mastermind ascon bates

belgiums thomas moon has made his own sound in electronic music. playing in his career in more than 15 countries in 5 different projects, he now produced for the first time a solo album with his new project.

eddie c is known for his work with endless flight, jiscomusic, red motorbike, 7 inch of love and and and. lumberjacks head honcho marcel vogel is happy to welcome him after wrecking many a party together. get it together already found its way into marcel s boiler room set. and what it is was rescued from a batch of neglected older tracks that eddie had made early on in his carrer but is actually a stone cold banger that s tearing apart every dancefloor.

second release of the gost zvuk label, strictly focused on the contemporary russian electronic scene. this joint was made by aem rhythm-cascade also known as dada ques and many other monikers. locked in his studio in st. pete he built his path from a beatmaker to a fundamental composer exploring the acoustics, sound synthesis and sampling techniques. it is hard to relate this music to a certain genre, but you can definitely hear the quality and deepness, spiced with the original slavic touch. simple and raw these multilayered symphonies bring out the new breed of russian composers backed up by their prolific heritage.

koko edits #4 on basic fingers, yes it is true. needing little introduction to any basic fingers fan koko has made his way from splicing and dicing since the first release back in 2011.

once again, the sunkissed camp get it spot on with this loud-pressed 12 inch collection of balearic classics from brazilian songstress astrud gilberto. opens with the original version of mesmerising dancer *black magic*, a great dj weapon that got the tangoterje edit seal of approval a few years back. followed by balearic favourite *beginnings*, a jazzy take on chicago s classic hit which spins out into eight minutes of sensual bliss. turn over for big daniel wang play, the obscure lp track *all i ve got*, a glorious low-slung floor-filling gem produced by none other than salsoul orchestra founder vince montana who also supplies the sublime disco version of the song that made astrud a household name *the girl from ipanema*. lastly comes her cool and breezy version of the bossanova jazz standard *agua de beber*. beautiful stuff.

laura jones is a rare specimen, a producer who puts her heart and soul into every production. the few key releases she has made for crosstown rebels, visionquest and leftroom have become instant anthems and shot her into stardom. embrace sees a return to leftroom and to form for laura with new exploration into darker techno underworlds with think over and imagination unreal, illustrating the complexity and breadth of jones as a producer.

from the executive producer chez damier come a special edition release marking the 20th anniversary of balance and prescription records. side a. the mission: lavida (life) is a project and group from switzerland that was produce by chez damier and italian producer demetrio giannice, the track is deep with choped vocals of chez and chaka khan, very chord driven with a jazzy feel as the break of the track. a2. is a young group of french producers from paris called siler & dima , thomas zander with track called: inappropriate, a deep driven track with spoken words , more minimal and was inspired by some of ron and chez early works, this is for sure new school and very club friendly. side b is a remastered version of the rare prescription underground mix of ron trent and chez damier s classic --the choice-- this is one of the dance classics that helped shaped a new underground sound for the club, with ripping synth, raw snares and high strings, this 20 year old track hold up as well as a track made today.

incl dont you want me !phil oakey and philip adrian wright the only original human league band members are joined by ian burden and jo callis on synthesizers and joanne catherall and susanne sulley on vocals for the bands third album on virgin records, *dare* released in october 1981. after three hit singles, *the sound of the crowd*, *love action* and *open your heart* the band released the final single from the album *dont you want me* which went to number 1 around the world and made *dare* one of the biggest selling albums of the year.
pressing on 180 gram heavyweight vinyl, housed in gatefold sleeve

luckyme are very proud to present the ‘rosario ep from s-type.s-types rise started in spring 2012. emerging, gleaming and show-stopping from rustie’s seminal bbc essential mix was a track called ‘billboard’ from a new producer that was part of the luckyme family as far back as his teenage years. the track had soundcloud and blog commentators looking around for the hugest most galactic superlatives for this ‘superhero’ music. as skyscraping as the biggest us hip hop instrumentals but born of the ferment of glasgow’s world-wowing club world, it made it into end of year ‘best of’ polls as well as the dj sets of rustie, tnght,and benji b. s-type aka 27 yo scot bobby perman started getting recognised down the shops glasgow. he was catapulted onto a 30 + date us tour and found himself in the studio with kindred spirits araabmuzik and baauer. there were rumours of national electronic goods adverts in south korea and s-type tracks in the running for inclusion on drakes nothing was the same album. on 19th sept 2013, the buzz started all over again as luckyme family member Éclair fifi dropped a new s-type tune ‘rosario’ on her bbc radio 1 in new djs we trust show. now luckyme can announce the wait is over. lm017 aka s-type’s ‘rosario’ ep is coming out on 16/6/2014. ‘rosario’ sets the scene with a 2 min intro called ‘outside (inside)’, featuring rustie and yc the cynic, a rapper from hunts pont, the bronx that xxl called ‘one of the most promising artists in recent years’, the complex wordplay sounding perfect over bobby’s wide screen arrangement. ‘franco’ is a fierce club banger with plenty of his signature chord work. ‘lost girls’ stunts and fizzes in the way only an s-type track can. for the outro ‘inside (outro)’, bobby’s sweeping instrumental sets the scene for long island mc (and one time flipmode squad member) roc marciano, who sharply describes the beat as ‘historic’. s-type addicts, he’s back. early dj support from hudmo, kode 9, baauer, joker, rl grime and jackmaster.

leao is the house alter ego of respected tech producer robotneedsoil. here he supplies two killer house tracks that are given the remix treatment by two of the industries current favourites, kindimmer & jacob b. the ep lifts off with the original mix of drop that and wastes no time getting down to business. tough beats and throbbing bass meets cool stabs and vocal stabs urging you to -take your body back-. the jacob b remix of the same track is ruthless. taking no prisoners with a sub heavy mix that never veers from dance floor destruction. the b-side kicks off with leao s second original offering. this is house with heavy footwear. something more stomps, elbows and swings it s way through an intricately placed web of percussion. kindimmer s alien remix subtly uses elements of the original while at the same time segueing into new territory. its deep and eerie, soulful and moody. all the things that have made the berlin based greek one of the most sought after remixers in europe

the name of his track is called saxojazzy, as you can imagine it has some influences of saxophone with groovy and sexy beats followed by a tight synth. overall a very impressive creation made by lui young.

an eclectic demonstration of vocal and song-writing prowess, wallflower is a collaborative project between alison marks and leah floyeurs. having made their name as separate performers, wallflower sees these two english artists come together to deliver the say you wont ever ep on defected records, featuring deetron remixes

enzino is back with the 5th release. 4 tracks in between house and neo disco. tracks made for the dancefloor. in japan they go crazy with this bombs! limited vinyl only release. no repress!

mystical and proper techno! -marbacka- is a song originally written and composed by marbacka for one of their side projects, -the marbacka side project-. it was later made famous by another recording artist, who covered the song and released it as the second single from hen second studio album. however, not until this artist recorded and produced the version along with $ it become a worldwide hit. a music video, which has been described as iconic, was shot and received heavy rotation. its feelings explore an abandoned lover s point of view. on this special edition -marbacka- is surrounded by previously unreleased material and reworks.

limited edition to 200 copies only
dark and trippy sounds on a label straight from berlin… in the dark again brings out music between acid, new wave/ minimal wave and psychedelic techno and dub. made for the very special moments on the floor.... support from lauren garnier, steven tang, luke solomon,

hailing from sunny los angeles, plastic love records kicks off our first release with an ep from label co-boss jimmy maheras. maheras made his debut in 2011 with his space jam ep on the crosstown rebels edit sub-label, rebellion. since then he s released remixes and singles on strainjjur, riff raff, supernature, and left d. maheras s two original tracks showcase his depth with the man from another place being squarely aimed at the big room dance floor and the second track, arecibo, bringing a little kraftwerkesque funk. we ve commissioned timothy j fairplay (crimes of the future) and cottam (aus music / ruff draft) for two very unique remixes. fairplay crunches down the original melody and throws it over the famed amen break to give tmfap a hands in air late night feel while cottam s remix brings the dreamy melody closer to acid with storming late night kick ready to knock down a wall.

there is a common thread that runs through all of brandt brauer fricks music. it is this: interesting things happen at the interface of machine and hand-made music. the berlin trios 2010 album, *you make me real*, fused techno and classical. the 2011 follow-up, *mr machine*, saw them go the whole classical-meets-club hog with a ten-piece ensemble playing dance music live. then, earlier this year, came *miami*, a darker, more song-based collection exploring the same man-machine ideas. the berlin trios instalment of the dj-kicks series does the same thing with a mix.
the double vinyl comes in gatefold sleeve and includes the dj kicks mix-cd.

in 1988 krs one made the poignant declaration of never trusting a big butt and a smile on boogie down productions song *jimmy*. truer words have never been spoken. fast forward 2 years later, bell biv devoe are smashing the charts (urban to pop) with their debut single *poison*, and in taking krss words of wisdom the exact phrase - never trusting a big butt and a smile has a major part of the chorus. the world over was singing it.

the last few years have seen chicago footwork rise to international success, and traxmans debut album - *the mind of traxman* on planet mu - played no small part in that. it showcased cornelius fergusons brilliant ability to synthesise the beat digging of classic hip hop with the high-speed abstraction of footworks house-derived beat science. the selection of tracks on this second chapter show a slightly different take on traxman s abilities. instead of bringing in concepts from other genres, he simply creates a wider variety of footwork, made with a minimal, reduced palette. often just one or two samples are selected and diced into brain-blurring cubist puzzles that bear little relation to their original sources, or anything else for that matter.
the double vinyl lp comes with download code.

as ljudverket is a heavily art-influenced label, the second release was made as a part of an sound installation for an exhibition in helsinki. rasmus hedlund & tuomo väänänens 2x12 inch album consists of 80 locked groove loops, 20 on each side. the installation itself holds 4 vinyl players, where every side of the records are represented as a sound source, from where the participators could themselves choose a random loop and thus create their own soundscapes. this is one for the collectors, and no more than 200 copies are being produced.

limited numbered edition of 1000 copies on high quality virgin vinyl, download code included.

for his release on mr bongo we have gone back to the original source - labi siffres classic 1975 release *remember my song*. this is his fifth album and features the vulture , sadie and the devil and i got the, sampled by eminem, jay-z, wu-tang clan, atmosphere, the beatnuts and frankenstein, amongst others. co-produced by derek lawrence and big jim sullivan - a prolific session musician, artist and producer - who also worked with artists such as david bowie, serge gainsbourg and frank zappa. brian bennett of the shadows, chas hodges and dave peacock aka chas n dave also feature on this funk masterpiece from 1975. this lp is reissued in new and improved sleeves (made in japan) and features label designs as per the original 1975 release.

label maker alberto sabatini drops a stellar spring grenade in the form of roboto (we are) on save the black beauty. having featured such renowned artists as fnm and sasse, it was time for sabatini to step into the spotlight with his own production. the introduction was made with his remix for sasses flushing meadows which showed his roots firmly to the italo & early proto house territory. now with roboto, sabatini takes an italo vibe and mixes it with contemporary house elements and creates a joyful, yet sinister late night belter. on the remix tip italian meister fabrizio mammarella who dips the original in disco sprinkles and lets the sun in

population one returns on metroplex. first appearing on juan atkins legendary imprint, way back in 96, and continuing to drop a stream of top notch releases for them ever since - it seems these tracks were made especially with the label in mind. less reduced than his work on his own label, terrence dixon delivers 4 amazing tracks on this firing ep.

we have taken some time with our sixth release, all the happier we are now to present to you the acoustic listening pleasure. the record consists of 3 tracks which jamy wing has made for us. it goes its way very classically in a technoid 4-to-the-floor kind, but with style and taste

on its first release, orioni makes its debut on 12inch with four tracks made in argentina. with jonas kopp, luis ruiz, mental resonance, and matt saderlan. this ep comes packed with four dancefloor weapons: jonas kopp with >mandelbrot<, contributes with a massive pounding rhythm full of atmospheres, with his classic groove based on solid kicks and hypnotic vibes, jonas presents full drum action around the percussion and sequences. for the a2 >triplets< is a track with a catchy 303 bass-line and roland drums programmed by luis ruiz. its acid classic signature comes with the task of bringing back that old school techno sound , whose roots had got lost in time. in the other side, mental resonance: >birth of omega century< has that fresh detroit techno style, and is ready to energize dance-floors with the groove of the 909 and hypnotic synthesizers. at least but not last, matt saderlan with >kids dist days<, destructive, corrosive and distorted letal weapon for acid lovers. no need to check your volume leds, yes, it is that banging. orioni has begun!

supported by: ben klock, speedy j, dubfire, marcel fengler, jonas kopp, peter van hoesen, ilario alicante, slam, maetrik and many more. another production by the turin duo d-vince and sergio pace. already on various releases of their own old and young records, they come back with a new ep. three tracks and one remix made by another italian talent, raffaele attanasio. pure analog sound imprinted by the detroit techno music. three tracks full of groove and powerful energy. the remix has done by raffaele attanasio, already appeared on label as non series, he s done a superb edit with his unmistakable style! old and young is back!

with more than 10 years since the beginning of his carreer, el mundo is part of the well-known artists within the international electronic music community. together with a sound that is best described as psychedelic, deep & groovy, it is his refined musical vision that have made him a respected name in his league. as a dj, el mundo played worldwide and at the nation’s best venues and festivals, including awakenings, welcome to the future, doornroosje, studio 80 and utrecht’s poema. he s joining 8bit with a strong 4 tracker right on time for the upcoming festival season.

ron trent presents japans missing soul. if pat methany made dance music, this would be it. across your mind is a feel good song filled with tension and release.

record after record, the macadam mambo label tries to give you the best, and we are sure that new ep will not disappointed you. we are very proud to put out 3 stunning edits made by the master of european disco: albion venables from sweden. just a quick description of the tracks, ** disco mambo ** is… as you can imagine, a disco mambo track clearly dedicated to the label. ** hear the night ** comes from an obscure italian record with some french vocals part in it. and ** the mirror forrest ** is a beautiful electronic tune coming from an italian library record. record of the summer 2014, without a doubt!

fantastic re issue of this tribute deep house ep from dj duke. containing 4 fantastic tribute cuts. fingers, heard, jefferson and trent. shout outs to all the people who made it happen! re mastered from dat for 2014.

we have reached number 10. time to celebrate with a remix edition of the deep88 & melchior sultana project. awaiting the album release (later 2014) we asked 2 of our heroes if they would like to make a remix for us. with a lot a lot (and a lot) of happiness we announce the nightwave remix by ben >cozmo d< cenac, formerly known as dream 2 science (and sha-lor and newcleus and the cellar boyz), that made us a wonderful space trip with his dreamy synths and stylish drums. the other remix is >yo house< treated by the excellent australian producer andras fox, that converts the song into a super classy deep house one with a lot of hiss and love. the man behind > running late> really made some magic over the melody of yo house, as usual with the aim of analogue warm-tape-feel and his crazy skills.

franz meersdonk und günther willers aka rdf are back on the road. the speedometer obviously tweaked, turned up and back on track. on the way tramper simon sunset got on board, et voila: made himself comfortable in the back cabin. left a bunch of wood back there. they drove the semi right into the sawmill and took care of the rough pre-cut themselves. cutter lowtec supported the two street heroes with all he’s got, or rather, he actually applied his own cutting-machine-operation. simon sunset’s wood cuttings were molded by a bunch of saws, slicers, and files. and for a final fine-tuning herb lf came running out of the canteen. and lo and behold, the machines spit out three beautifully stable pieces of wood with the finest texture- pattern captured in a stable frame of bark. so good was the material to begin with that nothing was left over for old, stinky bark mulch

having made their disco capablancas debut back in 2012 with the excellent 12inch shoal, sprawling minneapolis collective food pyramid return to hugo capablancas label for an equally fine second release in the shape of knosssos.

>> oh it was gorgeousness and gorgeosity made flesh. the trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. oh, it was wonder of wonders. and then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. i was in such bliss, my brothers.<